1790s riding outfit
The adventure of making a 18th century riding habit and changing your mind about how to make it more times than you should.
The adventure of making a 18th century riding habit and changing your mind about how to make it more times than you should.
Working on some experiments on Fortuny Delphos gowns.
Comparing the result of a handmade attempt of replica with a chinese dress from ebay.
Working on the Phantom of the Opera -movie- costume from Why so Silent. With a hint of thought about Napoleon’s wardrobe.
A dress inspired by the autumn golden light and the falling leaves.
How I made my Black Coruscant gown and the four golden handmaidens.
Progress of making a replica of Padmé’s edding gown from Star Wars episode II.
Inspired by a 1890s original bodice, this gown is made recycling pieces of an other costume.
The making of a replica of Padmé’s funeral gown from Star Wars episode III.
My take on the white fur coat Daenerys wears on the 6th episode of Game of Thrones season 7
This coat was born as mockup of the white fur coat one. However, I had some nice fabric that could work and some fur leftovers, and I decided to make something out of it.
The making of a wine velvet german court robe.
Historical and fantasy inspired men’s ensemble for one of the Apocalypse riders.
Making a steampunk doll costume.
This is one of the historically inspired coats from my Royal Reverie collection
Inspired by the gown worn in the award winning series, Game of Thrones, by Carice Van Houten, as Lady Melisandre.
My take on the costume worn by Michelle Pfeiffer on the movie Stardust. Actually my second take on it. Probably giving it a third chance soon.
A 1750s style wig, perfect to match a robe à la française or most of mid-century outfits. Very soft and natural looking.
A dramatic style of wig, perfect for Louis XIV, and the second half of the XVII century. But would also make a terrific Captain Hook.
Making of the gown from Vestier’s painting “Portrait of a Lady with a book”, as a mix between a robe en chemise and a round gown, keeping it quite historically accurate, even if machine sewn.
Gown made to attend The Swan Princess edition of Gala Nocturna. A mix between a long gown, a ballet costume and a corset, keeping the dance visible by showing the legs.
This outfit is inspired by the fairy tale of mirrors and ice castles, rather than Frozen. And a hint of russian fairytale style.
A basic gown, correct in shape, yet striking in color, making you pop out of the nightgown-like audience of regency events, on a budget.
What shall we do with a dozen of black soutache appliqués, stored for too long? A nice 1900s day outfit. And, of course, a giant matching hat.
A 1890s outfit inspired both by Burton’s work and Crimson Peak. I’ve been also told that the arnivore-plant-like shape and the fishing bates give it a Harry Potter universe look.