Why so silent?
Working on the Phantom of the Opera -movie- costume from Why so Silent. With a hint of thought about Napoleon’s wardrobe.
Working on the Phantom of the Opera -movie- costume from Why so Silent. With a hint of thought about Napoleon’s wardrobe.
Inspired by a 1890s original bodice, this gown is made recycling pieces of an other costume.
The making of a wine velvet german court robe.
Historical and fantasy inspired men’s ensemble for one of the Apocalypse riders.
This is one of the historically inspired coats from my Royal Reverie collection
A 1750s style wig, perfect to match a robe à la française or most of mid-century outfits. Very soft and natural looking.
A dramatic style of wig, perfect for Louis XIV, and the second half of the XVII century. But would also make a terrific Captain Hook.
Making of the gown from Vestier’s painting “Portrait of a Lady with a book”, as a mix between a robe en chemise and a round gown, keeping it quite historically accurate, even if machine sewn.
A basic gown, correct in shape, yet striking in color, making you pop out of the nightgown-like audience of regency events, on a budget.
What shall we do with a dozen of black soutache appliqués, stored for too long? A nice 1900s day outfit. And, of course, a giant matching hat.